A simple and accessible physics-based game from developer Double Mizzlee and publisher Eastasiasoft, Pengilo is a single-screen puzzle title with fifty stages of circular penguin-chucking action.
A bright and colourful entry in the genre presented in 2D, Pengilo tasks the player with tossing a penguin into the air, collecting stars and keys to unlock the door in order to exit each stage.
A budget title that currently costs under a fiver, Pengilo only allows you to take control of your penguin for a follow-up directional shove after a single bounce; this means that you have to be accurate if you don’t want to fall off the screen, resulting in a retry of the stage.
A sliding puzzle game in the Sokoban style. GluMe casts you in the role of a cartoonish blob who must move around the single-screen stages collecting gems by sticking to other blobs in the correct sequence. A single miscalculation means that you won’t be able to complete the stage – which can be but a few seconds long if you know the route! – and requires a restart.
I found the whole approach of GluMe quite appealing. There’s a heavy sense of cartoonishness with the animated blobs having large eyes and gently bouncing around. The chiptune music by Liniker Nasciento is absolutely a perfect match for the breeziness of gameplay and keeps things bright and light to match the visuals.
Over the years, whenever I cover word-based puzzle games, Letter Quest often crops up as the standard-bearer for quality. It seems unusual to retrospectively cover a game released over a decade ago, but I was sure that I had sung the praises of Letter Quest in an article upon its initial release - I had certainly played it enough! - but I checked during my research for Beyond Words, and no, I hadn’t. So I’m getting to rectify that here.
In A.I.L.A, you play as a video game play-tester in a postmodern sci-fi world. You get the new VR gaming system- AILA. It is a brand-new system that uses the user’s psyche to adapt the horror and give a unique experience.
The system uses an AI to guide you through the horror scenarios, the avatar of which is a little girl whom you talk to before and after you play through each of the scenarios, asking questions and guiding you through the experience, checking how you react and how you feel.
Beginning in an abandoned warehouse, you only have a PC, a box to send over your stolen goods, and a wall chart to pan out your next nick-fest. There is only one neighbourhood available at the start, with you and your team – up to four players online – needing to rack up some earnings (via a percentage cut from what you steal, which gets higher dependent on the difficulty) in order to unlock heists and other areas to pillage.
All this to say, I may have watched over 50 horror movies last year with a stony and dead eyed expression, but when it comes to games of the same genre, I’m a snivelling coward. So I can’t promise that what got me nervously pausing and gathering myself before I could again brave more of the Video Ghastlies will equally terrify you. What I will say, is that if the stress detector on my watch is to be believed, this game achieved what it set out to with me.
The game starts with scant details, other than you are on a search for your missing brother. You enter his flat and search for clues which ultimately leads you to uncovering the mysteries of a new and inexplicably dangerous VHS format, “Video Ghastlies”. After watching the first tape, you will find yourself stepping out of the flat and into its macabre reality. Whilst in these other realms, you will find new tapes and trinkets required to proceed. You do also at some point get a bone-gun that shoots teeth (don’t ask, I’m still not sure), so it’s not an experience entirely built on hide-run-hide-run.
